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It’s not easy to do, because an interview is a great tool if you want to tell a story quickly and efficiently and to play the highlights of a scene.Without those interviews, you need all of the conversation.The trick was in how the show was filmed and edited.
Natasha actually became a good friend and a friend of the show, and she came back and did a slowed-down a cappella version for the finale, which was so nice.” Back to the addictive drama that unfolded in the glittering lights and darkened nightclubs (Les Deux! ) of Hollywood on was, could we tell a reality story without using the techniques of documentary, and particularly confessional interviews?As the opening credits claim, “The rest is still unwritten.” So while there may not have been actual scripts, the show was carefully edited and manipulated into dramatic narratives that kept us tuning in week after week.Oh, and one fun fact before we begin: Natasha Bedingfeld’s “Unwritten” wasn’t supposed to serve as the show’s opening theme.We very carefully craft it to see the spark of attraction.Looking at looks — blinks and stuff — and then add music to make it work. That was the part where each episode we would finish editing, and we thought, 'Oh, we made a little movie there Sometimes we didn’t have the dialogue; we didn’t have them saying what the story is, and [the challenge became] how are we going to show it?
That’s when we went back and shot the whole first scene of Lauren walking on the beach, and we had that voice-over over it where she said, ‘This was the best year of my life, the last year in high school,’ or whatever. It was initially going to be a straight ensemble, not Lauren’s point of view, but doing that gave the whole show a focus, and made it clearer and easier for us to not have confessionals or interviews.